What happens when language turns into fabric and the digital leaves a trace Together with artist Franziska Ostermann, REMÆR presents an edition inspired by her poetry collection Versen.

Versen explores the relationship between body, language, and digital structure. It weaves together the analog and the virtual, searching for moments where technology touches and memory turns into surface.

Franziska works across photography, video, text, performance, and digital imagery. Her practice moves between hand and machine, between sensory experience and technical translation.

Her work has been shown internationally, including in New York, Paris, Milan, Berlin, and Tokyo. Recent exhibitions include The Second-Guess (HEK Basel), Synthesis Gallery, and the NRW Forum Düsseldorf. She has received a grant from the Berlin Senate, was a finalist for the Meran Poetry Prize and the Leonce and Lena Prize, and was awarded the Liliencron Poetry Prize. Her work has been featured in Forbes, DER GREIF, British Journal of Photography, KUNSTFORUM International, and Studio International.

In autumn 2025, her poetry collection Versen was published by Gutleut Verlag – a book between word and pixel, between body and code.

For REMÆR, Ostermann translates her poetic and digital visual language into a structure of light, text, and fabric.

A work about closeness, memory, and the question of what remains when language becomes surface.

Coming soon.