What happens when language turns into fabric and the digital world leaves a trace?

Together with artist Franziska Ostermann, a new edition is emerging, based on her poetry collection Versen.

Versen explores the relationship between body, language, and digital structure. It weaves the analogue with the virtual and searches for moments in which technology touches us and memory turns into surface.

Franziska works with photography, video, text, performance, and digital imagery. Her practice moves between hand and machine, between sensory experience and technical translation.

Her work has been shown internationally, including in New York, Paris, Milan, Berlin, and Tokyo. Recently with The Second-Guess (HEK Basel), Synthesis Gallery, and the NRW-Forum Düsseldorf. She received a grant from the Berlin Senate, was a finalist for the Merano Poetry Prize and the Leonce and Lena Prize, and won the Liliencron Award for emerging poets. Her work has been featured in Forbes, DER GREIF, British Journal of Photography, KUNSTFORUM International, and Studio International.

Her poetry collection Versen was published by Gutleut Verlag in autumn 2025; a book between word and pixel, between body and code.

For REMÆR, Ostermann translates her digital and poetic visual language into a structure of light, text, and fabric. A work about closeness, memory, and the question of what remains when language becomes surface.

Coming soon.